English has tremendous fluidity. It readily adopts words from foreign languages, often without immediately “anglifying” their spellings or pronunciations. As Shakespeare so aptly demonstrated, English also allows words to be used as various parts of speech without any alteration of form. And English shapes itself differently each generation by accepting and rejecting popular usages and vocabulary. Writers should be ever aware of the changing nature of their artistic medium.

We have gradually taken to speaking in letters or acronyms rather than full words especially where technology has become ingrained in our everyday life and work. Companies have IT departments. We can communicate via IM. We connect our hardware with USBs. We spend millions on ISPs, DVDs, and MP3s. Such pseudo-words are common and acceptable in almost any modern context.

Technology has given us new functions for old words. Text, for example, is no longer just a noun. The sight of a mouse on a desk does not necessarily send a person running for traps. And the modern version of spam is far more universally hated than the canned pork of the same name. Again, readers are accustomed to and will readily accept these usage shifts.

For decades, stylebooks frowned upon the use of impact as a verb meaning “to affect,” insisting that, when used as a verb, it could only mean “to cause to stick or lodge.” Nowadays, these same manuals acknowledge that “to affect” is indeed a common and understood usage. Even the newest editions of both the layman-preferred Merriam-Webster and the linguist-revered Oxford English Dictionaries have included a number of modern terms that were unacknowledged or termed non-standard in previous editions.

In the past fifteen years or so, we have lost many of our problems only to have them replaced by issues. While stunning or incredible events in the eighties and nineties were often described as awesome, in this century they are more likely to be pronounced amazing. While not earth-shattering, generational lexical choices such as these bear thoughtful consideration because they can subtly date a person’s writing. For this reason, it may be advisable to choose traditional over modern word choices–or vice versa–depending on one’s intended audience.

English morphs in various ways. We writers would do well to weigh choices to determine which will work best for our audiences and, when necessary, edit accordingly.