Nov 26 2008

Journey to Bethlehem :Countdown to Christmas

Today thousands of men and women of various nationalities from all walks of life will converge on the little village of Bethlehem, six miles from Israel’s capital city, Jerusalem. On Christmas Eve, pilgrims from all over the world will meet in the Shepherds’ Field and blend their voices in song and prayer. “O Little Town of Bethlehem,” Phillip Brooks’ beautiful Christmas hymn, will be sung in Hebrew, English, French, German, Spanish and dozens of other languages.

At the Church of Nativity, special services will be held commemorating the birth of Christ, and the beautiful bells in the tower of the church will blend their resonance with chimes, organ and cathedral bells around the world, as people everywhere pause to remember that first Christmas morning./span>

The nearby olive groves seem strangely quiet after Haifa and Tel Aviv. Humble Bethlehem is overshadowed by modern Jerusalem. Bethlehem seems so out of character in a world of fast jets, computers and space exploration. Yet Bethlehem hits you with a tremendous impact. Here the course of history was changed. Here God became flesh and dwelt among us. Today a 14-point star marks the spot where Jesus was born of the Virgin Mary. The significance of Bethlehem cannot be overstated.

Bethlehem is a measurable distance from the place where you are at this very moment. It is our world to which Christ came, not a fairytale, make-believe world. The story of Christmas involves real people. Caesar Augustus, the Roman head of state, Mary and Joseph, the carpenter to whom Mary was engaged, the shepherds tending their flocks outside of Bethlehem–were real flesh-and-blood people.

Catching the world with its depression, fear, strife and turmoil, the message of what God did at Bethlehem needs to be told and understood.

A father and his small son were walking down the streets of a city during World War II. The child noticed a small flag with a star on it in the windows of certain homes and asked his father what it meant.

“Son,” explained the father, “this means that a father had a son who gave his life for his country.” Impressed, the little fellow noticed home after home where one or more stars hung on a flag in the window. Finally, the sun began to set in the western sky, and twilight turned into dusk. The evening star began to shine with a brilliant radiance. Noticing the star, the little boy exclaimed, “Oh, look, Daddy. There’s a star in God’s window. He must have given a son, too.”

And that is the message of Christmas. God loved and God gave that man might be brought back into fellowship with the Father.


Nov 26 2008

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Nov 26 2008

Not Now?

Instead of worrying about the global meltdown — wringing our hands while computing our losses at the stock market — let’s deliberately find joy that transcends the material plane. Let art and music communicate with the inner chi that is impervious to anxiety, even just for a few hours. If art and music can unlock the heart and bring a lightness of being, that’s worth more than the US$700 billion bailout. Heed the advice of a wise Chinese proverb: “When you have only two pennies left in the world, buy a loaf of bread with one, and a lily with the other.”


Nov 20 2008

You Couldn’t Afford to Overlook this Deal from Zenni

No one beats The popular online eyeglasses shop today—Zenni Optical. In the world of lenses, Zenni Optical reigns as the number one. With its $ 8 Complete Rx Eyeglasses, it is no longer hard to see the real thing. The Holiday Glass Frames From Zenni Optical gives you the best choice for your frame. Go grab this big surprise from Zenni today!


Nov 18 2008

Learning Express: Just in Time – Vocabulary

Just in Time – Vocabulary


Nov 18 2008

A Must Have Books on English Grammar & Usage

English Grammar A University Course (2nd Edition)

More English E-Books Inside —->

Continue reading


Nov 2 2008

Harriet Smart’s Writers Cafe Power Tool for all Fiction Writers

Writer’s Cafe is a set of power tools for all fiction writers, whether experienced or just starting out. The heart of Writer’s Cafe is StoryLines, a powerful but simple to use story development tool that dramatically accelerates the creation and structuring of your novel or screenplay.

Designed by published novelist Harriet Smart, Writer’s Cafe also includes a notebook, journal, research organiser, pinboard, inspirational quotations, daily writing tips, writing exercises, name generation, and a 60-page e-book,

Writer’s Cafe is designed to be a playground for the imagination, making writing fiction fun and fulfilling. But it’s also a serious tool for professionals, with highly configurable formatting, import/export and reporting facilities.


Nov 1 2008

Kevin B. King: The Writing Template Book

The Writing Template Book | PDF | 5 Mb

The Writing Template Book is a practical how-to guide for academic writers. Because good writers automatically develop their own internal writing templates that impose clarity and structure on their material, this text provides template examples to help less experienced writers produce the reliable, replicable syntax that is essential to good writing. The Writing Template Book provides numerous examples and practice writing summaries, thesis sentences, introductions, conclusions, and the bodies of typical essays and papers.

A foreword by Ann M. Johns, Professor Emeritus at San Diego State University, positions the roles of templates in current writing pedagogy and describes the additional benefits of templates, such as opportunities to discuss vocabulary alternatives and their semantic values.


Nov 1 2008

Anne Rice Goes from Vampires to Jesus Biographer

It’s Halloween, and Anne Rice has a new book — a memoir in fact — that’s climbing best-seller lists. Everything is normal, then. Normal if it were 1994 — the height of Rice’s megaselling fame as a queen of Southern Gothic pulp.

For those who haven’t been paying attention lately to vampire lit, America’s most famous chronicler of bloodsuckers doesn’t live in New Orleans anymore — and hasn’t since before Hurricane Katrina hit — and she’s riding new waves of enthusiasm: the memoir and Christian lit.

Her memoir, “Called Out of Darkness: A Spiritual Confession,” is the latest piece of evidence that Rice is reinventing herself in an attempt to build a reputation as a serious Christian writer.

In the memoir, the 67-year-old writer doesn’t disavow the two decades she spent churning out books on vampires, demons and witches — with a batch of S&M erotica thrown in — following the breakout success of her first novel in 1976, “Interview With the Vampire.”

But she’s clearly moved on.

In a telephone interview from her mountain home in Rancho Mirage, Calif., Rice laid out her goal:

“To be able to take the tools, the apprenticeship, whatever I learned from being a vampire writer, or whatever I was — to be able to take those tools now and put them in the service of God is a wonderful, wonderful, wonderful opportunity,” she said. “And I hope I can redeem myself in that way. I hope that the Lord will accept the books I am writing now.”

The memoir follows the release of two books in a planned four-part, first-person chronicle of the life of Jesus.

And in this new 245-page memoir, Rice presents her former life as vampire writer as that of a soul-searching wanderer in the deserts of atheism; as someone akin to her most famous literary creations — Lestat, her “dark search engine,” Louis the aristocrat-turned-vampire and Egyptian Queen Akasha, “the mother of all vampires.”

“I do think that those dark books were always talking about religion in their own way. They were talking about the grief for a lost faith,” she said.

In 2002, Rice broke away completely from atheism — nearly four decades after she gave up her Roman Catholic faith as the 1960s started. It happened when she went off to college and found her peers talking about existentialism — Martin Heidegger, Albert Camus, Jean-Paul Sartre. Religion, she writes, was too restrictive to the young Rice. Too out of step.

Yet, religion had to come back into her life, she writes. For her, it was something she’d have to face up to again like an absent parent or a long-lost love child or Banquo the ghost in Macbeth.

By the late 1990s, when she went back to Mass, Rice — the author whose books sold in the tens of millions and who had recharged Hollywood’s appetite for vampire-inspired horror — had fallen on hard times.

Her husband, poet and artist Stan Rice, died of a brain tumor in 2002. And she had become victim to diabetes.

She writes that her return of faith was preceded by a series of epiphanies — many while on travels to Europe’s cathedrals, Israel and Brazil. In one episode, when she visited the giant Jesus statue above Rio de Janeiro, she writes that she felt “delirium” as the clouds broke and revealed the statue.

Her professed revelations recall the religious intoxication she describes of her childhood.

When she was 12, she had her father turn a room on the back porch of the family’s Uptown home in New Orleans into an oratory modeled after St. Rose of Lima — the saint Catholics believe turned roses into floating crosses. She wanted to be a saint, she writes.

In the memoir, Rice describes a familiar Catholic upbringing imbued with opulence and mystery. The incense. The statuary. The stained glass. The darkness. She learned the world, she writes, through her senses, through a “preliterate” understanding of the world. She writes that she possessed “an internal gallery of pictorial images” that, lamentably, was replaced “by the alphabetic letters” she learned later.

“You might call it the Mozart effect, but it was the Catholic effect on me,” she said.

In a sense, the memoir also is a confessional about her struggle as a writer to be a reader, a thinker and an author with a distinct literary style. Her stories often are reveries with no end in sight — and all too often ugly with pedantic unwinding, numbing in detail and overly simplistic, a pastiche of cliches.

Her turn in direction — from vampire fiction to Christian musings — still isn’t winning the critics over.

In The New York Times, Christopher Buckley slammed Rice’s memoir as “a crashing, mind-numbing bore. This is the literary equivalent of waterboarding.”

And the bar is high when it comes to writing about Jesus.

“The best may be Nikos Kazantzakis’ ‘The Last Temptation of Christ,’” said Jason Berry, a novelist and journalist who has written extensively on the Catholic priest sex abuse scandal. “But also (G.K.) Chesterton, Norman Mailer. … A lot of narrative artists in both literature and film have taken on Jesus, so to speak.”

Rice isn’t out to impress the critics, though.

“My objective is simple: It’s to write books about our Lord living on Earth that make him real to people who don’t believe in him; or people who have never really tried to believe in him,” she said.

She pressed the point: “I mean, I’ve made vampires believable to grown women. Now, if I can do that, I can make our Lord Jesus Christ believable to people who’ve never believed in him. I hope and pray.”

For her devotees, whatever she writes invariably goes down like a smooth bloodbath, that favorite Goth beverage sometimes made with raspberry liqueur, red wine and cranberry juice.

“There are so many people dedicated to her. They want her to write more vampire books,” said Marta Acosta, author of the popular “Casa Dracula” series, a “comedy of manners” that plays on vampire themes. She also runs the Vampire Wire, a book blog for fans of gore and the undead.

As for her, Acosta couldn’t care less if Rice sinks back into the vampire vein.

“People think it’s sexual, but it’s not. It’s suppressed stuff. Southern Gothic,” Acosta said. “How many centuries is Louis (played by Brad Pitt in the movie ‘Interview With the Vampire: The Vampire Chronicles’) going to whine?”

Never again, it seems.

Rice is busy writing about Jesus as a minister. And that’s a tall order, Rice said.


Nov 1 2008

Digital Media Production a means of self-expression

“Digital media serves as a vehicle of communication. Nowadays, young Filipinos are already capable of making their own videos. But then, this use of digital media could lead to distorted values and commercialism.” — Nick Lizaso, multi-awarded television and stage director

Cellphones, video cameras and computers make it so easy to make a video nowadays.

Let’s face it. We have our own share of videos uploaded in our YouTube or Friendster accounts. We’ve enjoyed editing outputs and posted them over the Internet.

Indi (short for independent film) had also occupied a niche in the market. Cinemalaya, for example, has empowered young filmmakers to produce movies at a lower cost.

Digital Media Production has become a means of self-expression.

Thus, multi-awarded stage, TV and film director-educator Nick Lizaso and his team under Asian Environmental Resource Center (AERC) in a press conference held last October 20 at the Cebu Midtown Hotel, Nick Lizaso explained the current status of the Philippine film industry.

“The age of digital media has provided us a vehicle of communication. Nowadays, young Filipinos are already capable of making their own videos. But then, this use of digital media could lead to distorted values and commercialism,” he stressed.